Andaz (1971)

I turned this movie on a couple weeks ago because I was still not feeling well, and Shammi fixes everything.

Okay, so I didn't feel completely well afterwards, but I felt happy! What a fun movie!

We start with a willful little girl named Munni (Baby Gauri) being picked up from school by the mute, buff, and totally adorable Gangu (Randhawa), her family's servant. She insists that instead of going home they go to find her father, Ravi (Shammi Kapoor). They find him, and poor Gangu loses out with everyone as Ravi and his Munni have a face-off ending in a song.

Awww!

Eventually, Ravi runs into Munni's super-attractive new teacher, Sheetal (Hema Malini). He has kept telling his mom (Achala Sachdev) that he doesn't want or need to bring home a new daughter-in-law, but he seems to reconsider that stance when he meets Sheetal. He flirts outrageously with her, Shammi-style.

 

By the end of the night, she sure looks like she's enjoying it.

 

A few days later Ravi takes Munni to Sheetal's house to sort out some school issues and finds Sheetal singing a lullaby to a little boy, Deepu (Alankar Joshi). Ravi is shocked to discover that she is a mother, a widow.

He leaves the kids with her and heads off to work, but Munni and Deepu wander off and get lost in the jungle before school. Sheetal comes to Ravi to help her find them, and after a tense run through the jungle, they discover them soundly sleeping in an abandoned house.

 

Relief at finding their children safe and sound brings another level of closeness to their relationship, and Sheetal begins to tell Ravi a little about Deepu's father, Raj (Rajesh Khanna).

 

Girls, if you're ever out wandering around trees with Rajesh Khanna and it starts to rain, run the other direction. You'll end up pregnant, and he'll die before he gets around to publicly saying that he's married you. It just gets ugly. (Like happens in Aradhana, too.)

Don't hesitate to wander around with him when the weather's nice, though. Look how much fun they're having!

 

Raj's mean dad has nothing to do with Sheetal, and she has had a tough time of it. Ravi is sympathetic to Sheetal's story, and he continues to make friends with her. Little Munni and Deepu make fast friends, too. We also get a flashback of Ravi with his dead wife, Mona (Simi Garewal), whom he misses, but he's not as conflicted as Sheetal. In her grief and isolation, Sheetal has never really let Raj go, never really accepted his death, and consequently, she now has trouble accepting or comprehending her new feelings for Ravi.

Sheetal couldn't be the only one interested in Ravi. A beautiful village girl named Mahua (Aruna Irani) does everything in her power to get Ravi's attention, frequently vehemently swearing to various ailments in order to get him to give her a ride in his jeep.

In spite of these shenanigans, Mahua is really a sweet girl, who likes Ravi more because he's noble and good than because he is rich and handsome. And to make this triangle into a Shakespearean Midsummer's Night Dream quadrilateral thing, Sheetal's mute servant Gangu loves Mahua. Every day he brings her a beautiful yellow rose from far over the hill for her to wear in her hair. I love Gangu! This side story is sad and sweet.

Meanwhile, Ravi's debauched younger brother in the city, Badal (Roopesh Kumar), has been supposed to be going to school but is instead running through money at an alarming rate. Ravi has finally convinced his mother to stop sending Badal so much cash, and Badal now comes home, a big chip on his shoulder against Ravi, whose adoption into the family he has always resented. As it turns out, he is also armed with gossip about Sheetal, and he is not shy about emptying his spite on her.

Not only does he bet on horses, he hangs out with blonde girls. Evil.

This is a lovely, bittersweet film about second chances, with steady pacing and a sweet and even tone. The music is awesome, the characters are (mostly) realistic and totally adorable, the ending does not veer off into Crazyland, and the characters (except Badal and his buddy) act pretty rationally throughout. Yay!

But, nothing; you should see it.

Jaane Anjaane (1971)

I watched this movie a couple weeks ago because I was home sick, and Shammi seemed like just the thing to make me feel better. (I first watched Dil Deke Dekho when I was home sick, and it has been my go-to comfort movie ever since. I figured since the key ingredient was Shammi, I could branch out a little and still get the cure.)

Oh, Shammi. You can tell I'm getting to be a seasoned Bollywood and Shammi fan, because I was really not weirded out that all the girls went for a clearly aging Shammi, even over a young and adorable Vinod Khanna.

In fact, I think I'm beginning to even kind of understand it.

At any rate, the movie starts with Laxmi (Lalita Pawar) praying at the temple for a baby. Immediately she hears crying and discovers an abandoned baby wearing a heart-shaped locket.

The baby's mother (Sulochana Latkar) is shown jumping off a bridge and being rescued, but Laxmi does not see her and brings the baby home. Her husband gets out of jail shortly afterwards, and he welcomes the addition to the home, looking forward to having a son carry on his legacy of hooliganism and petty crime. They name him Ram Prasad and call him Ramu.

Laxmi does her best to raise Ramu to be a good man, but her husband undermines her efforts and encourages their son to skip school and engage in crime.

One day after skipping school and gambling all day, Ramu peers over the wall to see a party, and sees a little girl named Mala give a little boy named Hemat a toy train from Japan for his birthday.

Um, nice reasoning, Ramu.

He breaks in that night to take the train, but Hemat wakes up and fights him for it. The noise raises Hemat's parents, and Hemat's dad would have called the police, but his mother recognizes the locket Ramu wears. She is the mother who gave it to him before she abandoned him and tried to commit suicide. She has him sent away free, in possession of the train set, and probably believing that his theory about everything belonging to him is correct.

Years later, Ramu is still on the wrong side of the law, and while running from the police one day he bumps into a grown-up Mala (Leena Chandavarkar) preparing to dance in a concert. He is smitten by her and, realizing her musicians are no-shows for the event, he happily takes on the job. She accepts his rather weak excuse for this craziness, and is delighted when they continue to run into each other.

They bump into each other when she catches him driving her car (his explanation for that is pitiful, but she buys it) and then at the beach, where Ramu was smuggling and Mala was picnicking with her friends.

Then they run into each other again at the airport, where Ramu has come for another smuggling deal, and where Mala has come with Hemat's parents to receive grown-up Hemat (Vinod Khanna) from studying abroad.

He's so adorable!

And awesome.

No one looks as good with his hand on his hip as Vinod.

Hemat is now a police inspector, and seemed to have been looking forward to developing his (very cute) friendship with Mala into something more. However, when she tells him that she likes someone else, he steps away with no fuss and continues to be a good friend to her. Throughout the movie, he acts with uniform decency, restraint, kindness, and level-headedness. He's pretty much amazing.

Hemat is assigned to shut down the smuggling operations that Ramu works with, and he threatens a dancer (Helen) into giving him some information. He wounds and nearly catches Ramu, but Ramu runs for cover into Hemat's house and is hidden by Hemat's mother, who once again recognizes the locket around his neck.

A little later, Hemat happens to see Ramu out with Mala, and he recognizes him as a wanted man. He meets Mala at her house that day and privately informs her that Ramu has an extensive criminal record. He shows her Ramu's file, suggests that she consider where a relationship like that could lead for her, and bids her good-day without ordering her around, threatening her, or telling her parents. He treats her like an adult who can make her own decisions but deserves to know the facts.

See what I mean? Awesome! That kind of respect is practically unheard of in a Bollywood man. Frankly, this role is not very large -- most of the plot and action revolves pretty tightly around Ramu -- but Vinod manages to give Hemat a sensitivity and a depth (apart from his action-hero awesomeness) that brings him to life. He's a smart man and a decent man, but he's also a man who could totally be one of my brothers.

Actually, my brothers are kind of like that.

At any rate, Mala comes to Ramu heartbroken after Hemat talks to her, and her pleas inspire him to change as neither of his mothers has been able to inspire him.

He decides to go straight, and hands all the smuggling business back to his dad. His dad, with whom he had previously had a great relationship, considers this a rejection of himself and kicks Ramu out, in spite of his mom's tears.

Sad, sad! But I'm so glad that Ramu sticks it out and does the right thing! He starts honest work and he and Mala are happier than ever.

They have this wonderful song as he works. I love it. I love the song, I love them, and I especially love the smiley back-up dancers/coworkers.

Near the end of the movie an unfortunate accident prompts Ramu to make some very bad choices and head into Crazyland (he really could have used a psychiatrist), and that sort of was irritating. It was also irritating how especially in this Crazyland period, but also throughout the movie, Ramu puts all the blame for his actions (and for things that could not be helped) on others. Oh well.

Crazyland notwithstanding, this is still a pretty cute movie.

I wanted to mention, too, Koyli (Sandhya Roy), a side character with a major crush on Ramu. At one point, he has her hide in a water tank because his mother was about to come out on the veranda and find her there with him (trying to get him to like her). It was pretty full, too!

I liked this character. She's spunky and sweet, but Ramu always sees her as that little girl down the street. Oh, well. I always like to think that after the credits, these kind of characters run into Dharmendras or Amitabh Bachchans or Shashi Kapoors and live happily ever after.

It sounds reasonable to me. That's pretty much what my future's going to look like, after all!